![]() ![]() ![]() ![]() MORE: Beyoncé, JAY-Z shine in Tiffany & Co.'s latest 'ABOUT LOVE' campaign Throughout the film, Beyoncé and Jay-Z have several fun, flirty moments and there's one where we see the "Crazy in Love" singer picking petals off a flower as she says "he loves me, he loves me not." Toward the end of the footage, the "Empire State of Mind" rapper picks a petal off and says "he loves you." ![]() 'About Love' campaign - with a cameo from their daughter Blue Ivy. PHOTO: Beyoncé and JAY-Z starred in a bonus film to their Tiffany & Co. The French jewelry designer was best known for dressing high society's elite in the 1960s and '70s. It features a platinum, 18k gold bird perched on a morganite gemstone of over 44 carats.īeyoncé donned the luxury label's Ailsa diamond ring of over 10 carats as well as a pair of Ribbon Fan earrings featuring diamonds of over six total carats. Jay-Z wore the legendary Bird on a Rock brooch, which is one of the 21st century's most iconic designs. She later gets in the vehicle with her parents as they all smile and also are joined by a fluffy brown dog.ĭuring "Date Night," the Carters are wearing a variety of Tiffany & Co.'s most iconic jewels crafted by the late Jean Schlumberger. Inspired by the famous cab scene from Audrey Hepburn's Breakfast at Tiffany's, the latest clip shows the power couple backseat riding together through Manhattan while the tunes of Paul Anka’s "Put Your Head on My Shoulder" and Bert Kaempfert's "Three O'Clock In The Morning" play in the background.Ībout halfway through the short film, Blue Ivy is seen wearing glasses and a striped shirt as she's running behind the couple's car. In time, it should be seen as a career highlight from a superstar - one of the hardest-working people in the business, a new mother, in total control, at her creative and commercial peak.Beyoncé and Jay-Z are back with another beautiful bonus film titled "Date Night" for their Tiffany & Co. It opens with an elegantly delivered "Let me sit this ass on you." When the album came out, the release itself dominated the chatter. Soul throwback ballad "Rocket" is a close second, another amusing mix of metaphorical and explicit come-ons. Best of all is "Blow," playfully risqué boogie loaded with instantly memorable lines - "I'm-a let you be the boss of me," for instance - and a slick tempo changeup. It concludes with McMahon's dismissal of her group, as if to say, "Yeah, but look at me now." There's also a whole lot of romance, heartache, and, most prominently, monogamous sex - in the kitchen, in a chauffeur-driven car, while drunk. Central track "***Flawless" opens with Ed McMahon's introduction of her preteen group on Star Search, incorporates the combative "Bow Down" and a portion of celebrated Nigerian writer Chimamanda Ngozi Adichie's TED talk on feminism, as well as a booming, quotable-packed victory lap. "Mine" and "Blue" involve vivid expressions regarding the turbulence and thrill of motherhood. There are deep references to Beyoncé's competitive showbiz upbringing and acknowledgments of her beloved Houston hometown. Beyoncé co-wrote and co-produced all of the songs with A-listers like Pharrell, Timbaland, James Fauntleroy, Hit-Boy, and the-Dream, as well as emerging Detroiters Detail and Key Wane and the previously unknown Boots. Easily her best album since B'day, it's among her most entertaining and sexually explicit work, yet it's substantive in every respect. And then, on December 13, while engaged in a world tour and when no one expected it, she released her fifth solo studio album with accompanying videos. There were appearances on albums by Rowland, the-Dream, and husband Jay-Z, as well as a Soundcloud upload "Bow Down/I Been On," passionately debated for its aggression and vulgarity, and the more "ladylike" "Standing on the Sun," a clothing retailer tie-in. A documentary, Life Is But a Dream, aired on HBO. The trio released "Nuclear," an excellent song disregarded for not being an anthem. She headlined the Super Bowl XLVII halftime show, joined by Destiny's Child partners Kelly Rowland and Michelle Williams. The first 346 days of Beyoncé's 2013 were eventful enough. ![]()
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